TIRANA, June 12- The Darda Hill in Durrà«s, near the Brick Factory which uses the quality clay of the area, became densely populated after the 1990s. Archaeological findings, however, show that it has been populated even earlier and probably was one of the sacred places of ancient Durres. Thousands of small mature stone statues about 2600 years old were found on this hill in a massive discovery in 1970 by archaeologist Vangjel Toà§i.
The statues were gifts with the face of the temple goddess left there by the women of Dyrrachium (ancient Durres) who prayed to her to protect them during birth and give them well-being. For years it was believed the shrine belonged with the goddess of passion and love to Aphrodite, but after 18 years a team of archaeologists and Albanian-French scholars came to the conclusion that the temple belongs to her rival Artemis, known as the goddess of chastity.
The events did not come just as in the Euripides Hippolytus tragedy that talks about the rivalry between the two goddesses of Olympus, but were mainly developed at a close table at one of the offices of the Institute of Archeology in Durres, 30 years after the shrine was found by Toà§i, who is also known as the “father” of Durrsake archeology. Ten archaeologists and scholars from Albania and France, led by French archaeologist Arthur Muller and Albanian artist Fatos Tartari, bowed for years over six tons of archaeological finds, including small figurines, ceramic pieces and coins.
“It’s a great discovery and there have never been so many terracotta figures with Greek figurines found,” said Muller.
Archaeologists believe they have reached the end of their work, and the model project that studied Artemis’s shrine has left in shelves hundreds of discovered and dated objects. Many of the pottery vessels were restored and coins were cleaned and rebuilt. Archaeologist Fatos Tartari said they are conducting a survey and looking for financial support to start publishing and hopefully have their first volume at the end of the year.
The first thing that has left a mark is the volume of findings which amounts to about 6 tons of archeological objects, with 4.5 tons of pottery as the main category and 1.8 tons on figurine fragments. Tartari explained that “such a great production belongs to a highly developed, large population, in conditions when we lack accurate reports on population.”
This is just one of the answers archaeologists have received during the several year study. The team is also comprised by coin scholar Shpresa Gjongecaj, Belisa Muka who is a clay figurine researcher, Frederik Stamati who is a coin restorer, Avni Alcani who is a restorer of terracotta and figurines, archaeologist Eduard Shehi, antique art historian Marion Dufeu-Muller, Anne Tichit who is an antique ceramic researcher, and Stephanie Huyscom-Haxhi, a clay figurines researcher.
“Painted containers are rebuilt. 650 coins have been mechanically and chemically cleansed. We can not say how many pieces of ceramic or figurines have been restored because they have been in different volumes,” said Tartari.
The team also found that different from what was assumed, it was not Aphrodite who was worshiped, but Artemis. Tartari explained that they have antique texts which refer to Artemis in Durres. The ancient Appian author who wrote about the wars of Caesar and Pompeii in Durres, gives a passage that sent them to the Sanctuary of Artemis. Archaeologists have identified traces of the name of the goddess Artemis, who was very popular in the territory of Illyria, after restoring the inscriptions painted on the dishes dedicated to this goddess. They explain that through the restoration were found the inscriptions of Artemis that were worked in pottery and metal fragments. Objects discovered are diversified in bronze and stone. Artemis once appeared as a hunter and as a defender of the road that bound Durres with the Marsh.
Archaeologists believe that the women of the city were mainly on the shrine who, according to their social status, donated figurines made of muddy clay, in honor of the goddess Artemis, who emerged as a guarantor of well-being and marriage. Men are also believed to have donated figurines. According to archeologists, their gifts differ as they are mostly miniature containers for keeping liquor. They made the gifts after they got citizenship and tried to become part of the city’s society.
